From the collections of the Metropolitan Museum of Art:
A marvel of exquisite craftsmanship, this small, gold-mounted rock-crystal salt cellar, which rests on a high, knopped stem above a tapered, conical base, is a rare example of Early Gothic goldsmiths' work. The crystal salt cellar is meticulously carved with a pointed prow, a flat yet sloping stern, a keel that is rectangular in profile, and simple notching for the double oarlocks. Three interconnected hollows in the interior are arranged symmetrically along the boat's axis. The upper surface of the rim of the vessel is decorated with seed pearls, and emeralds; below is a border of tiny ivy leaves. One-fourth of the hinged lid can be lifted by means of a tiny handle in the form of a serpent. The gems and pearls in combination with the serpent probably had an apotropaic meaning, as serpents' tongues were thought to warn against poison by breaking out into a sweat...
The diminutive scale and costly materials suggest that this luxury object served as a receptacle for a precious commodity for the table, such as salt or a spice. Ecclesiastical salt cellars, used in the sacrament of baptism and for the hallowing of water, appear only rarely in medieval inventories, but such a usage for this object cannot be excluded...
For another eye-popping example of an early salt cellar (this one from mid 16th C), Google "Cellini salt cellar". It's amazing to note the differences in style, design and craftsmanship in just 300 yrs.
ReplyDeleteNew word : apotropaic. Thanks.
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