This captivating 2008 performance of "Il Silenzio" features a 13-year-old Dutch girl, Melissa Venema, backed
by André Rieu and the Royal Orchestra of the Netherlands.
In a cemetery about six miles from the Dutch city of Maastricht lie
buried 8,301 American soldiers who died in "Operation Market Garden" in
the battles to liberate the Netherlands in the fall and winter of
1944–5. Every one of the men buried in the cemetery, as well as those in
the Canadian and British military cemeteries, has been adopted by a Dutch
family who tend the grave and keep alive the memory of the soldier they
have adopted. It is the custom to keep a portrait of "their" foreign
soldier in a place of honour in their home. Annually on "Liberation
Day", Memorial Services are held for the men who died to liberate the
Netherlands. The day concludes with a concert, at which "Il Silenzio" has always been the concluding piece.
The memorial was inspired by Jilly Cooper's book Animals in War, and was made possible by a specially created fund of £1.4 million from public donations of which Cooper was a co-trustee. The memorial consists of a 55 ft by 58 ft (16.8 m by 17.7 m) curved Portland stone wall: the symbolic arena of war, emblazoned with images of various struggling animals, along with two heavily-laden bronze mules progressing up the stairs of the monument, and a bronze horse and bronze dog beyond it looking into the distance.
The government sent out MI5 agents to watch animal rights activists,
considered the mass euthanasia of all ‘non-essential animals,’ sponsored
a clandestine anti-dog hate campaign and sanctioned the criminal
prosecutions of cat owners for giving their pets saucers of milk.
The day Hitler invaded Poland, a BBC broadcast confirmed it was official policy
that pets would not be given shelter. Panic-stricken people flocked to
their vets’ offices seeking euthanization for their pets. That night, distressed animals cast out by their owners roamed the
blacked-out streets, and five days of mass destruction followed.
London Zoo was also decimated. The black widow spiders and poisonous
snakes were killed, as were a manatee, six Indian fruit bats, seven Nile
crocodiles, a muntjac and two American alligators. Two lion cubs were
put down, too.
The Animals in War Memorial has two separate inscriptions. The large one reads:
"This monument is dedicated to all the animals that served and died alongside British and allied forces in wars and campaigns throughout time"
A second, smaller inscription notes:
"They had no choice"
Reposted from 2013 to accompany a standard Memorial Day post.
Seriously. Dolly Parton is the only person who can unite the brutally divided partisan voters of this country. She is eminently qualified to represent the values this country claims to hold dear.
Allow me to anticipate the potential objections:
"She wouldn't have the right qualifications for being president of the country"
Constitutional requirements for the president: a natural-born citizen at least 35 years old and a resident of the country for at least 14 years. Box checked. Moving on.
Duties and responsibilities of the President, as defined at the U.S. Senate site:
As chief executive, the president presides over the cabinet and has responsibility for the management of the executive branch. With the advice and consent of the Senate, the president also has the power to make treaties and to appoint ambassadors, U.S. officers, and judges to federal courts. He is also the commander in chief of the armed forces. The president signs laws and can veto bills that have passed Congress.
Details at the link. We all know that every previous President has delegated those duties or fulfilled them based on recommendations from advisory committees (although Eisenhower may have been a real-life commander-in-chief). No problems there.
"She has no political experience"
Exactly. An asset, not a deficiency. Dolly is the antithesis of a politician.
"She is not part of a political party"
Exactly. She has carefully avoided aligning herself with either the Democratic or Republican party. She turned down the Presidential Medal of Freedom offer from Trump (twice) and from Biden; she felt that if she accepted it she "would be doing politics."
Here's a discussion of her recent "World on Fire" song lyrics:
“Don't get me started on politics, Now how are we to live in a world like this, Greedy politicians, present and past, They wouldn't know the truth if it bit 'em in the ass.”
These are the words read back to Dolly [by a host on the Today Show], who laughs as a response. She’s then asked which politicians she’s talking about.
“All of them. any of them.” She replies, plainly.
She then adds, “I don’t think any of them are trying hard enough… They worry more about their party than they do about the people.”
Dolly added the better approach would be “If we just do what we felt was the right thing rather than who’s going to lose or who’s going to win this, or who’s going to look better if they do this.”
This comment about her own politics, as cited in Woman and Home:
As for her own political views, she knows what they are and that’s good enough for her. “I’ve got as many Republican friends as I’ve got Democrat friends and I just don’t like voicing my opinion on things,” she says.
“I’ve seen things before, like the Dixie Chicks. You can ruin a career for speaking out. I respect my audience too much for that, I respect myself too much for that. Of course, I have my own opinions, but that don’t mean I got to throw them out there because you’re going to piss off half the people.”
Here's the full video of her performance of "World on Fire" at the American Country Music Awards. Listen.
She gets a standing ovation from a room full of cowboy hats after performing what can reasonably be described as a climate change anthem.
It’s difficult to say whether Dolly explicitly intended “World on Fire” as a climate song, though people are hearing it as such. But that’s how many of Dolly’s more “political” statements and artistic work come across — they tap into the zeitgeist without making any explicit political statements. Dolly is an expert at this.
Note also that the performance is a crossover of country music and rock and roll. Dolly bridged that gap like no performer in history, recently accepting induction into the Rock and Roll Hall of Fame after a lifetime of country music and Grand Old Opry.
Her new album, due out later this year, will include a cover of Prince's Purple Rain and duets with Sting, Steven Tyler, and Elton John, as well as a combined performance of "Let It Be" with McCartney and Ringo (see video above). This from the most acclaimed "country music" artist of all time, because she believes in music and the lyrics of music, not in the politics of country vs. rock.
This was Dolly Parton's comment regarding the Trump/Clinton presidential debates many years ago:
‘Let’s talk about what we really need — taking care of us. I think people just want to have a feeling of security. It’s just like political terrorism right now, they got us all scared to death about everything,’ Parton said.
----------------------------------------
A pause in this nomination post. Anyone who has ever written anything knows that it is easier to write the long version rather than a concise version. I'm going to take the easy way out for the moment because I have so much to present, by inserting extended extracts from a variety of sources I've bookmarked over the years. Later I'll need to come back to weed, summarize, correlate etc. So here we go with some of the source material...
“She is beloved across so many demographic groups because she really transcends politics,” said Lance Kinney, an advertising and public-relations professor at the University of Alabama. “And her magic lies on being a cipher onto which you can graft whatever political agenda you prefer.”
The allure that rings from honky-tonks in the rural South to gay bars in large coastal cities has everything to do with the persona Parton has meticulously cultivated since the 1950s, Kinney said. On the one hand, there’s the conservative-appealing story of Parton’s origins — or how she managed to pull herself up by her bootstraps after growing up poor in the Smoky Mountains of eastern Tennessee. On the other, there’s the glitz and glamour of her towering wigs and acrylic nails, and the feminist anthem she created with “9 to 5,” an iconic song about workplace discrimination.
In recent years, Parton has turned the Imagination Library, her literacy-focused nonprofit, into a 2 million-book-a-month international operation and also helped fund Moderna’s coronavirus vaccine. She has supported the LGBTQ+ community and endorsed the Black Lives Matter movement — breaking with “the guardrail in country music of not talking about racial injustice in the present,” said Joel Schwindt, a music history assistant professor at Berklee College of Music.
“Dolly Parton, much like country music, is a paradox,” Schwindt said. “But I think she can get away with it because of her authenticity and also because she’s reached founders’ status in country.”
She’s acknowledged, for instance, the role of the LGBT community in inspiring her stage persona. Yet when Tennessee banned public drag performances, she kept quiet. She publicly attested her support for Black Lives Matter with a spate of other country musicians as artists reckoned with the genre’s long silence on racial justice. Her speaking up came two years after she changed the name of her long-running dinner show from Dixie Stampede to Dolly’s Stampede after much criticism of its Confederate nostalgia. Parton insisted the original name was chosen out of “innocent ignorance.” (This move did divide some fans.)
In interviews, Dolly has certainly expressed support for environmental causes, in her down-home oratory style. “We’re just mistreating Mother Nature,” she told National Geographic last year.“That’s like being ugly to your mama.” ...
But Wilkerson feels that Dolly, and her companies, don’t own up to their part in damaging the region’s climate resilience or contributing to environmental catastrophe through the cumulative impact of all those cars and private jets. “It’s been the ruination of the Smoky Mountains,” Wilkerson said bluntly.
But Parton knew what she was talking about when she suggested to the New York Times last fall that people were starting to get sick of her. She has now achieved the sort of hysterical and highly trendy adoration that can shade into overexposure in the blink of an eye — even for a legend with a reputation as durable as Dolly Parton’s. The pressure on Dolly Parton to be the single person who can unite a fractured America is so high, there is a slow and uneasy creep of incipient backlash all around her...
But in recent decades, everything that makes Dolly Dolly has swung back into trend. “One reason Parton’s approval rating is so high, though” Lindsay Zoladz posited in the New York Times in 2019, “is that all the attributes that used to set her up for criticism — the outrageous, hyper-femme style; the unapologetic business savvy needed to pull off her late-70s pop crossover; even the so-what acknowledgment of her own cosmetic surgery — are no longer taboo.”
Dolly Parton often explains that she modeled her look after the town tramp, who as a small child she thought was the most beautiful person she’d ever seen, and that she knows straight men don’t find it attractive and doesn’t care. “If I was trying to really impress men or be totally sexy, then I would dress differently,” she told Playboy in 1978. But why bother? “I’m already married and he don’t mind how I look.”..
For decades, this acknowledgment played as tacky or trashy. But in the 2010s, it came to be seen as empowering, even feminist: Dolly dresses for herself, not the male gaze. And Dolly’s self is a celebration of the artificiality of femininity and glamour, a finding of authenticity in what is fake. That’s downright avant-garde...
In 2008, Roger Ebert returned to his 1980 Dolly Parton profile, noting that it had missed something he considered very important: her presence, which he writes “enveloped” him. “This had nothing to do with sex appeal,” he says. “Far from it. It was as if I were being mesmerized by a benevolent power. I left the room in a cloud of good feeling.”
Ebert adds that when he spoke with his writing partner Gene Siskel about Parton the next day, Siskel reported the same feeling: “This will sound crazy,” he said, “but when I was interviewing Dolly Parton, I almost felt like she had healing powers.”
Lots more good information at that Vox article, including insights into the Dollywood Dixie Stampede dropping the term "Dixie" at her request, her refusal to join Lily Tomlin and Jane Fonda in disrespecting Donald Trump, and the weaknesses inherent in embracing both sides of an argument.
In 2020 The New York Times offered "The Grit and Glory of Dolly Parton":
Only as an adult did I see how widely and warmly (if sometimes ironically) Parton has been embraced by people with little else in common. Her ability to navigate social and conceptual divides helps explain why this is: She is country without being retrograde; a friend to the outcast whose basic political philosophy, that people should get paid to do what they do best, is uncontroversial. She is beautiful without making beauty look easy; feminine but not fragile; white but not precious; principled but not hardened or fixed...
Most accounts of her life, of which there are many, begin with Parton’s humble origins as the fourth child of 12 born to an industrious sharecropper and a musical mother in the mountains of East Tennessee. Extremely poor, but confident and creative, Parton wrote her first songs at age 5 or 6, got her first guitar at age 8 and appeared on a local radio and television show at age 10. The morning after her high school graduation in 1964, Parton left her small town for Nashville. That day, she met her husband, Carl Dean, to whom she has been married for 54 years...
Parton addresses the wealth she has amassed through these ventures with predictable nonchalance, but she clearly knows the value of money, in a way familiar to those who have grown up without it. She supports several family members (she does not have children), and has donated millions to the Imagination Library, the literacy program she founded in 1990; to East Tennessee residents whose homes were destroyed by a 2016 wildfire; and, this spring, to Nashville’s Vanderbilt Medical Center, for Covid-19 vaccine research...
The word that you’re going to have to use over and over when describing her is ‘work,’” Summers tells me. I admit I have gleaned this from Parton’s description of how she “gets more done than most people do all day” by working every morning from 3 to 7 a.m. on her spiritual practice and any one of several projects she keeps lined up in plastic bins before her workday officially begins. Parton says she “lives on creative and spiritual energy” — and the more she talks about “rising above” her physical self to meet the demands of each day, I see she means this literally: She subsists on energy instead of typical amounts of sleep (she gets no more than six hours a night, and is fine on three)...
Even her gleaming exterior can be seen as a function of her working girl’s pragmatism. “I’m really not that ‘high maintenance,’” she writes in the new book, “I can put on my makeup, costume and wig and be ready for anything in 15 minutes or less.”..
She remains true to country music’s historical role, not as a bastion of conservative patriotism (as it was rebranded when it was aligned with Richard Nixon’s “silent majority” in the 1960s) but as an inclusively populist, working people’s music meant to give outsiders a voice. Hence her decision to write the song “Travelin’ Thru” for the 2005 film “Transamerica,” about a trans woman’s attempts to connect with her son; and, in 2017, to join Miley Cyrus on the pro-gay anthem “Rainbowland.”
The Imagination Library videos on YouTube, where Dolly reads bedtime stories to you (or your children) from the books that she gives away free to children every month in order to promote literacy.
Re her childhood poverty and dietary preferences, from Rolling Stone in 2003:
Despite all the modern trappings of her fame and success, Dolly Parton is a living link to what seems like an impossibly remote past. She was born the fourth of twelve children in a log cabin in Sevier County, Tennessee, on the edge of the Great Smoky Mountains National Park. The doctor who brought her into the world was paid with a sack of cornmeal. The Partons didn’t have electricity or indoor plumbing, and her dad, a tobacco farmer, supplemented the family’s diet by taking his shotgun and heading off into the woods.
“People hear me talk about eating squirrel and groundhogs, but in the mountains like that, you really didn’t have much of a choice,” says Parton matter-of-factly. “There were twelve of us kids. We never ate possum — I remember Daddy saying, ‘That’s like a damn rat.’ But we ate everything — turtle, frogs. I just remember the big old groundhogs — whistle pigs, they called them — and you’d cook ’em with sweet potatoes, and you’d have different ways of making some of that gamy taste go away.”
“Look,” she says triumphantly, throwing the cabinet doors open. It’s magnificent: cans of corned-beef hash, tins of Spam, loaves of white bread, a Costco-size brick of Velveeta. “I have to have my Spam,” she says. “And look at this!” It’s a pig-shaped ceramic jar. Inside is a baggie of bacon grease, neatly labeled with a date. “The people who come to clean my house every Thursday have to fry up bacon, so I have bacon grease to cook with. I have to have it in all my houses.” She brightens. “You want some Velveeta?” She saws off an orange hunk and offers it. “You didn’t believe me, did you?” she says. “I grew up with that stuff and I never got over it. Good, ain’t it?”
She was the first in the history of her family to graduate from high school. Lots more at the link. [note to self - extract more later,
The first episode of “Dolly Parton’s America” centers partly on the “9 to 5” songwriter’s reluctance to call herself a feminist. Earlier this year, Parton’s own sister, Stella, said she was “ashamed” of Dolly for not speaking out more about the #MeToo movement. In response, Parton told The Guardian: “I don’t feel I have to march, hold up a sign or label myself. I think the way I have conducted my life and my business and myself speaks for itself.”..
Like Cher, another 73-year-old multihyphenate icon, Parton has over the past few years ascended to a rarefied level of intergenerational celebrity: a saucy grandmother of social media...
Both-sides-ism rarely feels as benevolent as it does when coming from Parton, but that’s nothing new. When asked, in 1997, how she was able to maintain fan bases within both the religious right and the gay community, she replied, “It’s two different worlds, and I live in both and I love them both, and I understand and accept both.”..
Parton was born in January 1946, to parents so poor, they paid the doctor who delivered her in cornmeal. Their home at the foot of East Tennessee’s Great Smoky Mountains had “running water, if you were willing to run and get it” — one of Parton’s many, oft-repeated “Dollyisms” that makes light of her hardscrabble upbringing.
As a child — one of 12 — she had no exposure to movies or television, rarely even magazines, so her earliest ideas of glamour came from two seemingly disparate sources: the glittering kings and queens she heard described in fairytales and Bible verses, and from the “streetwalkers,” and “strumpets and trollops” she’d see when her family went into town. “I was impressed with what they called ‘the trash’ in my hometown,” she later mused. “I don’t know how trashy these women were, but they were said to be trashy because they had blond hair and wore nail polish and tight clothes. I thought they were beautiful.”...
For all the musical legends we’ve lost in the past few years, it’s heartening to see this show pony get her victory lap while she’s still around to bask in the glory. Not that she’s planning on going anywhere. Whenever she’s asked how she’d like to be remembered 100 years from now, Parton trots out one of her best Dollyisms: “I want ’em to say, ‘God, don’t she look good for her age!’”..
[In the WNYC podcast series "Dolly Parton's America,"] Abumrad narrates from his position as a relative outsider to what he calls the Dollyverse, presenting “Dolly Parton’s America” with the aesthetic language of the modern podcast: snippets of interviews, tonally appropriate background music, and the inviting, conversational voice of a man guiding you through his thought process as he travels down various rabbit holes of his own curiosity. Parton granted Abumrad quite a few sit-down interviews, and although seasoned Parton fans will find little of what she tells him to be new information, “Dolly Parton’s America” is a genial, compulsively listenable crash course in Parton’s lasting appeal...
And that will serve as a segue to my earnest suggestion that those wishing to understand Dolly Parton should listed to these podcasts. The full 8-part series of podcasts is here [transcripts are also available for those who want to skim quickly]. In the "Dixie Disappearance" she explains why she modified Dollywood's chief attraction - the "Dixie Stampede" after learning it offended people:
Well, there's several reasons that we changed the name or a few reasons. Maybe I should say a couple of reasons. One being that out of ignorance, people do things you don't know. A lot of my things that I do wrong, just out of pure ignorance really, because you grow up a certain way and you don't know. The Dixie, we always thought way down in the land of Dixie, it's like a Dixieland or Dixieland music, Dixie. You know, I just thought of Dixie as a part of the, part of America. And it was offensive cause like I say out of ignorance, you don't know that you're hurting people, never thought about it being, about slavery or any of that. But when it was brought to our attention, and some woman wrote about it and I thought, well Lord have mercy, I would never want to hurt anybody for any reason. And being a business woman, we didn't really have that many people say anything about it.
But I thought, Lord, if I've offended one person as a business woman, I don't want to do that. So we completely cleared all that out and started over that. But we, I just wanted to fix it cause I don't want to ever hurt or offend anyone. And so I did it as a good faith effort to show that it was never meant to cause anyone any pain.
Back in 2019 after listening to Radiolab's introduction to "Dolly Parton's America," I posted a summary of the podcast, including this:
JAD: Like, she tore right through all of that noise. Through the general election and beyond. And I kept bumping into people who would describe the experience of being at a Dolly show as, like, standing in an alternate vision of America than what was unfolding on the TV.
JESSIE WILKERSON: I remember just standing out in the lobby and just people watching, because it was the most diverse place I’ve ever been. I was seeing a multi-racial audience. People wearing cowboy hats and boots. I was seeing people in drag. Church ladies. Lesbians holding hands. Little girls who were there with their families.
WAYNE BLEDSOE: You had a whole audience of people who absolutely their philosophies were in opposition to each other co-mingling, and everybody is polite to each other.
JAD: So that was one thing that caught my attention. That in this very divided moment, Dolly seems to maybe be a kind of unifier. And after doing a little poking around, the data does kind of bear this out. If you look at her global Q Score, this is a measure of how well people think about your brand, globally. What they do is they assemble a very diverse sample of people, they ask them a bunch of questions, and out of all of these different brands that are out there, all these different performers, she is in the top 10 globally in terms of everybody's favorites. But she's almost number one when it comes to lack of negatives, if that makes any sense.
That's what the United States needs right now
-----------------------------------------
O.K. That's the end of the multi-course dog's breakfast of my archived Dolly Parton links. Now back to the "presidential nomination" part of this megapost.
First, I would like comments from international readers re what your reaction would be were the United States to nominate or elect Dolly Parton as U.S. president, and how she would play out on the world stage. Björk had this to say back in 2003:
“Oh, Dolly’s big in Iceland,” says Björk. “Her voice is immaculate, really powerful. Her character is so warm and human, and she has a great sense of humor.” To Björk, Parton transcends her musical genre. “All my friends love Dolly, and most of them are people who would never listen to country music,” she says.
But that's one talented musician talking about another one for a music-centered Rolling Stone magazine. How would "regular people," diplomats, and other world leaders react? Personally I can envision her attending a major international conference in the Hague, walking up to an obscure foreign minister to say "Hi - I'm Dolly," and him responding "Yes, I know. My people back in Eastern Rumelia just love you." "I'm so pleased to hear that. Let's talk about this climate mess."
Second, we need to ponder a vice-presidential running mate. Many years ago when Donald Trump was running for president, I thought the Democrats should counter with Tom Hanks, but at their convention they disastrously chose Hilary Clinton. Now I would suspect that Tom Hanks would be too "woke" for this centrist new party. Readers may have some reasonable suggestions, but in the end likely Dolly could come up with her own pick. And what to call the party? (again, she can decide. She built a multimillion-dollar business from scratch; she's good at this stuff).
The biggest problem is not getting her elected, but getting her to accept the nomination. It would probably only take three degrees of separation for someone reading this post to ask someone they know to ask someone who knows Dolly personally to tell her that she needs to offer herself as a presidential candidate. She will of course immediately decline.
I have no doubt that the idea of being president has been suggested to her many times in interviews. The difference would be that this would be a serious appeal, not clickbait for a media video or post. It needs to be emphasized to her that she needs to do this for the good of her country. Dolly Parton probably has more true patriotism than all the congressmen combined, and she might well make sacrifices for that goal. But her reply would probably also be a serious declining of the offer, because I believe her husband is probably in failing health.
Dolly has said that she would continue her music until her death and the only thing that would take her away from that would be if she is needed at home. She has recently announced that she will no longer be touring - just doing occasional appearances, because she wants to spend more time at home with her husband.
The response to that would be an acknowledgement of her situation and the counteroffer that she can stay at home for the process. She won't need to do any campaigning. Just a simple 30 second video inserted during the upcoming Trump-DeSantis flame wars and during the Democratic staged "debates" in which she says "Hi - I'm Dolly, and I am also running for president. Please write my name in on the primary ballots. Thank y'all so much" would be sufficient to confirm her viability.
And as president, she could also spend her time at home (except for those international conferences), Zooming with her cabinet. This is the way business is done in the modern world. What else does a president do in real life? They go to tornado/hurricane/flood sites to hug victims and then get back in their motorcades of black SUVs back to their helicopters. She could do that much much better. And do it sincerely.
What can we do in the meantime? Discuss this with friends and family as a serious matter, and start writing her name in on every online poll. I've not been able to find her included in any FiveThirtyEight surveys, except for this casual aside: "these days it’s difficult to get 58 percent of Americans to agree on anything except perhaps distaste for airline travel and love of Dolly Parton." Somebody over there please take notice.
I will offer this for her campaign song/theme video:
TLDR: An intelligent, hard-working, compassionate businesswoman who puts people above politics is the best available representative for the United States at home and on the world stage.
Photo embedded at the top from the Associated Press, via a Los Angeles Times article on Dolly's receiving of the Carnegie Medal of Philanthropy.
I missed two on my first read of the cartoon. Answers are in the reader comments at the GoComics source.
Part two:
Name the world capital closest to "Null Island" (0 degrees north, 0 degrees east) (five letters).
The number of letters is specified, because I encountered this while working the most recent Sunday NYT crossword puzzle. Since I was on the clock, trying to finish in 20 minutes, I didn't take time to reason it out and wound up having to back into the answer via crossing clues.
More on Null Island. You learn something every day.
I encountered the term for the first time today in a post at Explain Like I'm Five. Here are some comments from that thread:
It's a false pretense of an honest debate, it's very common in social media and basically a sub-set of trolling. Basically the troll constantly peppers the victim with seemingly sincere requests for further discussion, further evidence, further reasoning without any desire to actually engage in a good-faith conversation. They're just trying to pester and annoy the victim to the point of frustration. If at any point the victim seeks to leave the cycle of debate the troll will declare victory, they they are actually the genuine "thinker" and that the victim was the troll or fool or wrong.
Wow, I had no idea this has a name. It's a pattern I learned to recognize after years on politics Twitter, and it made me trigger-happy to flee a conversation at the slightest whiff. I have no way to prove it, but it feels like a lot of people who do this don't fully realize what they're doing - they've just stumbled upon the technique and realized it allowed them to "win" just about any debate through sheer hardheaded endurance. It's essentially just a variant of gaslighting.
It's also very successful as a performance, which is why you see it so much on Twitter or other discussions that feel more "public facing" than a comment buried 9 tiers deep in a Reddit threat. Not only do you "win," but people who are watching walk away thinking the other guy was a liar because he couldn't answer your questions. That's a big part of why the alt-right loves it in particular, because almost all alt-right debates are intended to be performative. They want to change the minds of the people who are watching - they already know they probably can't change the mind of the person who is informed enough to know better.
Another term people use is JAQing off. "Just Asking Questions"
The cartoon embedded above is said to be the original source for the "sealion" reference.
It distresses me to no end to see that the news cycle is already going full-blast on the next presidential election cycle. Everything I have read suggests that Americans are widely divided, and that even the major parties are unable to field candidates that appeal to the majority of voters in their own party - much less appeal across the blue-red divide.
After much thought I have decided that there is only one person who can bridge the gap that divides voters in this country. I'll post their name after the weekend; you are welcome to speculate or offer your own choices in the Comments.
Embedded above is her performance of Antonín Dvořák's Cello Concerto in B minor, Op. 104, B. 191
A recently re-discovered recording of a concert held in tribute to the people of Czechoslovakia days after the Soviet Union invaded. Filmed live at the Royal Albert Hall in September 1968.
1. Allegro 0:00
2. Adagio, ma non troppo 16:10
3. Finale 29:01
Below is a tribute to her, assembled in 2017, 30 years after her tragic death (follow the link to YouTube).
While writing this post I decided I need to rewatch Hilary and Jackie, so I've requested the DVD from the library.
I don't believe I've ever posted any symphonic music by Mahler on the blog before. It's time to correct that. His "Resurrection Symphony" came to my attention during my collegiate years in the 1960s, and I was so smitten by the music that when my aunt and uncle got married, my gift to them was a boxed set of LPs of this symphony. It is still among my all-time favorites.
Embedded at the top is the Allegro movement that opens this symphony, and here below is the end of the fifth movement that brings the piece to its triumphant close.
The nine intervening parts are also available online; just follow the YouTube link. Or just start the part 1 and let it autoplay through the subsequent parts.
Three selections from The Ultimate Cartoon Book of Book Cartoons by the World's Greatest Cartoonists (Princeton Architectural Press, NY, 2019). I was glad to find a Booth among the selections.
The baby's "cranial helmet" is explained in the source nocontextpics subreddit post. And I agree this photo could be filed in the AccidentalRenaissance category. A tip of the blogging cap to reader Bicycle Rider for finding the relevant story.
Addendum: reader Drabkikker's modification of the photo:
Automakers, such as BMW, Volkswagen, Mazda and Tesla, are removing AM radios from new electric vehicles because electric engines can interfere with the sound of AM stations. And Ford, one of the nation’s top-three auto sellers, is taking a bigger step, eliminating AM from all of its vehicles, electric or gas-operated.
Some station owners and advertisers contend that losing access to the car dashboard will indeed be a death blow to many of the nation’s 4,185 AM stations — the possible demise of a core element of the nation’s delivery system for news, political talk (especially on the right), coverage of weather emergencies and foreign language programming.
“This is a tone-deaf display of complete ignorance about what AM radio means to Americans,” said Michael Harrison, publisher of Talkers, a trade journal covering the talk radio industry. “It’s not the end of the world for radio, but it is the loss of an iconic piece of American culture.”..
Now, although 82 million Americans still listen to AM stations each month, according to the National Association of Broadcasters, the AM audience has been aging for decades. Ford says its data, pulled from internet-connected vehicles, shows that less than 5 percent of in-car listening is to AM stations..
Some Democrats are fighting to save stations that often are the only live source of local information during extreme weather, as well as outlets that target immigrant audiences. Some Republicans, meanwhile, claim the elimination of AM radio is aimed at diminishing the reach of conservative talk radio, an AM mainstay from Sean Hannity to Glenn Beck to dozens of acolytes of the late Rush Limbaugh. Eight of the country’s 10 most popular radio talk shows are conservative...
“The automobile is essential to liberty,” right-wing talk show host Mark Levin told his listeners last month. “It’s freedom. So the control of the automobile is about the control of your freedom. They finally figured out how to attack conservative talk radio.”
There's something very interesting about the "top 40" list above. It's from a popular St. Paul/Minneapolis AM radio station in January of 1964, and it's loaded with what are now considered "golden oldies." But this particular list brings back a flood of memories because of one entry.
YMMV, but for me the salient entry is song #26 ("I Want To Hold Your Hand" The Beatles - Capitol. Debut.) I remember standing in my high school's parking lot one afternoon that week, with my hair frozen*. A classmate I was riding home with described a new song and my response was "Beetles? Like insects?"
That's when it all started for me. For many of my generation the memory of when we first heard The Beatles is as strong as when we heard of JFK's assassination.
I wonder how long it was before the Beatles fell off that top 40 chart. Many years, I should think.
* (we had basketball practice as the last activity of the day, and after
you showered and stepped outdoors your hair would at least frost up and
sometimes totally freeze if you hadn't towelled it dry enough)
Cavaliere moved to New York City from Italy when she was just eight years old, and after getting married in 2014, she started to get into thrifting, mostly to furnish her apartment.
Picking up tableware, furnishings and trinkets, the 36-year-old hit the jackpot one day when she stumbled on a set of $6 plates...
Picasso designed 633 different ceramic editions between 1947 and 1971—from simple utilitarian objects like plates and bowls to complex pitchers and vases...
The thrifter watched as the auctions climbed, and her ceramic discovery started selling for $12,000, $13,000, and even $16,000 [each]...
This isn't her only lucrative find, either. A while after the plates, she stumbled on an Alexander McQueen jumpsuit from his second ever collection. Picking it up for $20, it was sold for an amazing $8,500.
I donate to Goodwill, and enjoy shopping there occasionally.
