In a very interesting essay at The Guardian, Germaine Greer discusses the practical uses of "old wives tales."
The first collector of popular tales for print is known to us now as Gianfrancesco Straparola, who was connected with the Venetian publisher Comin de Trino. As "Stra-parola" means something like "crazy talk", we may be sure that this was not the real name of the author of the Piacevoli Notti (1550–1556). .. The Straparola stories are pretty good examples of the kinds of stories old peasant women tell...Much more at the interesting link. The embedded image [from a different tale] is Le Petit Chaperon Rouge (Little Red Riding Hood), 1846 - a lithograph by Jacques-Eugène Feyen in Old Book Illustrations.
At bedtime she brings the doll close to the fire, takes off its clothes, lays it on a woollen cloth, and, putting a little olive oil in the palm of her hand, gently massages its belly and lower back. Then she wraps it in the softest cloths she can find and lays it in bed beside her. She has not finished her first sleep when the doll begins to cry, "Mamma, mamma, caca!" .. Adamantina gently asks the doll to wait until she has spread her apron under its bottom. The doll bears down and fills the apron with gold coins. This she does night after night, and the orphan girls have all their modest needs supplied...
The king, riding by on his way to the hunt, feels a call of nature, gets down from his horse and voids his bowels. His servant can find nothing better to offer his majesty to wipe his behind on than the rag doll. No sooner has the king thrust the doll between his buttocks than it bites him hard and will not let go. Try as they might, the courtiers cannot detach the doll, which not only sinks its teeth deeper and deeper into the royal rear, but uses its hands to twist and wring the king's sonagli (his hanging bells) until he sees stars. To cut the old wives' story short, Adamantina hears of the king's plight, comes to fetch her beloved doll, ends the king's agony and marries the king, and they live happily ever after...
This is not one of the Straparola stories that his aristocratic successors chose to imitate. It stems directly from rural living conditions, in which the management of human waste is essential, complex and demanding. Where there are no toilets, no nappies and no piped water, babies' attendants simply hold them clear of tables or chairs or other people as they excrete. When they can toddle, little girls are dressed in skirts with no knickers and little boys in split trousers, as they gradually learn how to tell what they need to do and where to squat to do it, but there are many accidents along the way. A story like this keys into the manifold anxieties connected with toilet training and with the management of a small baby, which often fell to an older child, when its mother was needed elsewhere...
The object is to amaze and appal, to stretch the limits of the child's imagination. The story often turns on preoccupations of women – impregnation, pregnancy, childbirth, childloss, rape and domestic violence – in various coded forms...
An old wives' tale is the same thing as a winter's tale. Winter was the season of long, dark evenings, when most peasant families had to huddle together indoors with no light but what came from the fire. When Shakespeare called his play The Winter's Tale, he was deliberately invoking the imaginative realm of the rambling tales told by firelight, of the jealous husband, the rejected child, the princess brought up as a peasant, and the king's son in disguise...
Every child attending a parish church would have witnessed the burial of women who had died in childbirth, some with their newborns in their arms, others with babies not yet born. The fact that nobody discussed such matters with children would have made the events all the more frightening. Evidence of the terror of virgins marrying men who had buried several wives can be found only rarely, and then in devotional literature. The only other place it could be expressed was in encoded form in fantastic fables. Charles Perrault is credited with the invention of the story of Bluebeard, which is clearly indebted to folk tales. If we consider that a nobleman was more likely to have married very young wives than a peasant (who needed a grown woman with her full complement of skills) and that these women endured their first pregnancies at the ages of 14 and 15, we can see at once that marriage to a nobleman was a high-risk business...
Reposted from 15 years ago because there is lots of stuff in the early years of TYWKIWDBI that is worth reposting for new readers. And also so that I can append this observation from an op-ed in The New York Times regarding Donald Trump's opinions on the effect of his tariffs on consumer spending:
"He was taking questions at the end of one of his marathon cabinet meetings when he finally allowed that, yes, his tariff policies and the trade war he has set off with China may soon result in some emptier-than-usual shelves in stores. Specifically, toy stores.“You know, somebody said, ‘Oh, the shelves are going to be open,’” Mr. Trump said. “Well, maybe the children will have two dolls instead of 30 dolls, you know? And maybe the two dolls will cost a couple of bucks more than they would normally.”This, from the billionaire, crypto-salesman, golf-club-operating, Palm Beach-by-way-of-Fifth Avenue president with the golden office and the golden triplex apartment. There he sat, surrounded by the other billionaires with whom he has filled his cabinet, telling the boys and girls of America they’ll just have to make do with fewer toys this year for the greater good.This grinchy pronouncement by the president had the value of being truthful..."
Interesting post sir!
ReplyDeleteThis is the closest he’ll get to admitting his tariffs are a tax.
ReplyDeleteTrump isn't always wrong. Americans consume too much crap. I'm reminded of the show Prairie House on PBS. The children had to learn to amuse themselves with simple and homemade toys from the 1890s. Boredom was the gateway to imagination, yada, yada. The kids complained when they returned to their affluent modern lives. It was being materially over-indulged that was the most boring of all.
ReplyDeleteGermaine Greer: The focus on female suffering, as opposed to human suffering, might lead us to think one sex suffered more than the other. Especially when this drum is beat incessantly, as it has been since feminism became an industry. For the sake of realism, if nothing else, it might be good to balance this sort of thing with a parallel narrative, describing the many horrific ways boys and men suffered and died in the same era(s).