Constitutional requirements for the president: a natural-born citizen at least 35 years old and a resident of the country for at least 14 years. Box checked. Moving on.Duties and responsibilities of the President, as defined at the U.S. Senate site:As chief executive, the president presides over the cabinet and has responsibility for the management of the executive branch. With the advice and consent of the Senate, the president also has the power to make treaties and to appoint ambassadors, U.S. officers, and judges to federal courts. He is also the commander in chief of the armed forces. The president signs laws and can veto bills that have passed Congress.We all know that every previous President has delegated those duties or fulfilled them based on recommendations from advisory committees (although Eisenhower may have been a real-life commander-in-chief). No problems there.
“Don't get me started on politics, Now how are we to live in a world like this, Greedy politicians, present and past, They wouldn't know the truth if it bit 'em in the ass.”
These are the words read back to Dolly [by a host on the Today Show], who laughs as a response. She’s then asked which politicians she’s talking about.“All of them. any of them.” She replies, plainly.She then adds, “I don’t think any of them are trying hard enough… They worry more about their party than they do about the people.”Dolly added the better approach would be “If we just do what we felt was the right thing rather than who’s going to lose or who’s going to win this, or who’s going to look better if they do this.”
As for her own political views, she knows what they are and that’s good enough for her. “I’ve got as many Republican friends as I’ve got Democrat friends and I just don’t like voicing my opinion on things,” she says.“I’ve seen things before, like the Dixie Chicks. You can ruin a career for speaking out. I respect my audience too much for that, I respect myself too much for that. Of course, I have my own opinions, but that don’t mean I got to throw them out there because you’re going to piss off half the people.”
"Liar, liar the world’s on fireWhatcha gonna do when it all burns down?Fire, fire burning higherStill got time to turn it all around."It’s difficult to say whether Dolly explicitly intended “World on Fire” as a climate song, though people are hearing it as such. But that’s how many of Dolly’s more “political” statements and artistic work come across — they tap into the zeitgeist without making any explicit political statements. Dolly is an expert at this.
As far as she’s concerned, she said, it’s time that both Trump and Clinton stopped talking about each other.‘Let’s talk about what we really need — taking care of us. I think people just want to have a feeling of security. It’s just like political terrorism right now, they got us all scared to death about everything,’ Parton said.
“She is beloved across so many demographic groups because she really transcends politics,” said Lance Kinney, an advertising and public-relations professor at the University of Alabama. “And her magic lies on being a cipher onto which you can graft whatever political agenda you prefer.”The allure that rings from honky-tonks in the rural South to gay bars in large coastal cities has everything to do with the persona Parton has meticulously cultivated since the 1950s, Kinney said. On the one hand, there’s the conservative-appealing story of Parton’s origins — or how she managed to pull herself up by her bootstraps after growing up poor in the Smoky Mountains of eastern Tennessee. On the other, there’s the glitz and glamour of her towering wigs and acrylic nails, and the feminist anthem she created with “9 to 5,” an iconic song about workplace discrimination.In recent years, Parton has turned the Imagination Library, her literacy-focused nonprofit, into a 2 million-book-a-month international operation and also helped fund Moderna’s coronavirus vaccine. She has supported the LGBTQ+ community and endorsed the Black Lives Matter movement — breaking with “the guardrail in country music of not talking about racial injustice in the present,” said Joel Schwindt, a music history assistant professor at Berklee College of Music.“Dolly Parton, much like country music, is a paradox,” Schwindt said. “But I think she can get away with it because of her authenticity and also because she’s reached founders’ status in country.”
She’s acknowledged, for instance, the role of the LGBT community in inspiring her stage persona. Yet when Tennessee banned public drag performances, she kept quiet. She publicly attested her support for Black Lives Matter with a spate of other country musicians as artists reckoned with the genre’s long silence on racial justice. Her speaking up came two years after she changed the name of her long-running dinner show from Dixie Stampede to Dolly’s Stampede after much criticism of its Confederate nostalgia. Parton insisted the original name was chosen out of “innocent ignorance.” (This move did divide some fans.)
In interviews, Dolly has certainly expressed support for environmental causes, in her down-home oratory style. “We’re just mistreating Mother Nature,” she told National Geographic last year.“That’s like being ugly to your mama.” ...
But Wilkerson feels that Dolly, and her companies, don’t own up to their part in damaging the region’s climate resilience or contributing to environmental catastrophe through the cumulative impact of all those cars and private jets. “It’s been the ruination of the Smoky Mountains,” Wilkerson said bluntly.
But Parton knew what she was talking about when she suggested to the New York Times last fall that people were starting to get sick of her. She has now achieved the sort of hysterical and highly trendy adoration that can shade into overexposure in the blink of an eye — even for a legend with a reputation as durable as Dolly Parton’s. The pressure on Dolly Parton to be the single person who can unite a fractured America is so high, there is a slow and uneasy creep of incipient backlash all around her...But in recent decades, everything that makes Dolly Dolly has swung back into trend. “One reason Parton’s approval rating is so high, though” Lindsay Zoladz posited in the New York Times in 2019, “is that all the attributes that used to set her up for criticism — the outrageous, hyper-femme style; the unapologetic business savvy needed to pull off her late-70s pop crossover; even the so-what acknowledgment of her own cosmetic surgery — are no longer taboo.”Dolly Parton often explains that she modeled her look after the town tramp, who as a small child she thought was the most beautiful person she’d ever seen, and that she knows straight men don’t find it attractive and doesn’t care. “If I was trying to really impress men or be totally sexy, then I would dress differently,” she told Playboy in 1978. But why bother? “I’m already married and he don’t mind how I look.”..For decades, this acknowledgment played as tacky or trashy. But in the 2010s, it came to be seen as empowering, even feminist: Dolly dresses for herself, not the male gaze. And Dolly’s self is a celebration of the artificiality of femininity and glamour, a finding of authenticity in what is fake. That’s downright avant-garde...In 2008, Roger Ebert returned to his 1980 Dolly Parton profile, noting that it had missed something he considered very important: her presence, which he writes “enveloped” him. “This had nothing to do with sex appeal,” he says. “Far from it. It was as if I were being mesmerized by a benevolent power. I left the room in a cloud of good feeling.”Ebert adds that when he spoke with his writing partner Gene Siskel about Parton the next day, Siskel reported the same feeling: “This will sound crazy,” he said, “but when I was interviewing Dolly Parton, I almost felt like she had healing powers.”
Only as an adult did I see how widely and warmly (if sometimes ironically) Parton has been embraced by people with little else in common. Her ability to navigate social and conceptual divides helps explain why this is: She is country without being retrograde; a friend to the outcast whose basic political philosophy, that people should get paid to do what they do best, is uncontroversial. She is beautiful without making beauty look easy; feminine but not fragile; white but not precious; principled but not hardened or fixed...Most accounts of her life, of which there are many, begin with Parton’s humble origins as the fourth child of 12 born to an industrious sharecropper and a musical mother in the mountains of East Tennessee. Extremely poor, but confident and creative, Parton wrote her first songs at age 5 or 6, got her first guitar at age 8 and appeared on a local radio and television show at age 10. The morning after her high school graduation in 1964, Parton left her small town for Nashville. That day, she met her husband, Carl Dean, to whom she has been married for 54 years...Parton addresses the wealth she has amassed through these ventures with predictable nonchalance, but she clearly knows the value of money, in a way familiar to those who have grown up without it. She supports several family members (she does not have children), and has donated millions to the Imagination Library, the literacy program she founded in 1990; to East Tennessee residents whose homes were destroyed by a 2016 wildfire; and, this spring, to Nashville’s Vanderbilt Medical Center, for Covid-19 vaccine research...The word that you’re going to have to use over and over when describing her is ‘work,’” Summers tells me. I admit I have gleaned this from Parton’s description of how she “gets more done than most people do all day” by working every morning from 3 to 7 a.m. on her spiritual practice and any one of several projects she keeps lined up in plastic bins before her workday officially begins. Parton says she “lives on creative and spiritual energy” — and the more she talks about “rising above” her physical self to meet the demands of each day, I see she means this literally: She subsists on energy instead of typical amounts of sleep (she gets no more than six hours a night, and is fine on three)...Even her gleaming exterior can be seen as a function of her working girl’s pragmatism. “I’m really not that ‘high maintenance,’” she writes in the new book, “I can put on my makeup, costume and wig and be ready for anything in 15 minutes or less.”..She remains true to country music’s historical role, not as a bastion of conservative patriotism (as it was rebranded when it was aligned with Richard Nixon’s “silent majority” in the 1960s) but as an inclusively populist, working people’s music meant to give outsiders a voice. Hence her decision to write the song “Travelin’ Thru” for the 2005 film “Transamerica,” about a trans woman’s attempts to connect with her son; and, in 2017, to join Miley Cyrus on the pro-gay anthem “Rainbowland.”
The Imagination Library videos on YouTube, where Dolly reads bedtime stories to you (or your children) from the books that she gives away free to children every month in order to promote literacy.
Despite all the modern trappings of her fame and success, Dolly Parton is a living link to what seems like an impossibly remote past. She was born the fourth of twelve children in a log cabin in Sevier County, Tennessee, on the edge of the Great Smoky Mountains National Park. The doctor who brought her into the world was paid with a sack of cornmeal. The Partons didn’t have electricity or indoor plumbing, and her dad, a tobacco farmer, supplemented the family’s diet by taking his shotgun and heading off into the woods.“People hear me talk about eating squirrel and groundhogs, but in the mountains like that, you really didn’t have much of a choice,” says Parton matter-of-factly. “There were twelve of us kids. We never ate possum — I remember Daddy saying, ‘That’s like a damn rat.’ But we ate everything — turtle, frogs. I just remember the big old groundhogs — whistle pigs, they called them — and you’d cook ’em with sweet potatoes, and you’d have different ways of making some of that gamy taste go away.”
“Look,” she says triumphantly, throwing the cabinet doors open. It’s magnificent: cans of corned-beef hash, tins of Spam, loaves of white bread, a Costco-size brick of Velveeta. “I have to have my Spam,” she says. “And look at this!” It’s a pig-shaped ceramic jar. Inside is a baggie of bacon grease, neatly labeled with a date. “The people who come to clean my house every Thursday have to fry up bacon, so I have bacon grease to cook with. I have to have it in all my houses.” She brightens. “You want some Velveeta?” She saws off an orange hunk and offers it. “You didn’t believe me, did you?” she says. “I grew up with that stuff and I never got over it. Good, ain’t it?”
She was the first in the history of her family to graduate from high school. Lots more at the link. [note to self - extract more later,
The first episode of “Dolly Parton’s America” centers partly on the “9 to 5” songwriter’s reluctance to call herself a feminist. Earlier this year, Parton’s own sister, Stella, said she was “ashamed” of Dolly for not speaking out more about the #MeToo movement. In response, Parton told The Guardian: “I don’t feel I have to march, hold up a sign or label myself. I think the way I have conducted my life and my business and myself speaks for itself.”..Like Cher, another 73-year-old multihyphenate icon, Parton has over the past few years ascended to a rarefied level of intergenerational celebrity: a saucy grandmother of social media...Both-sides-ism rarely feels as benevolent as it does when coming from Parton, but that’s nothing new. When asked, in 1997, how she was able to maintain fan bases within both the religious right and the gay community, she replied, “It’s two different worlds, and I live in both and I love them both, and I understand and accept both.”..Parton was born in January 1946, to parents so poor, they paid the doctor who delivered her in cornmeal. Their home at the foot of East Tennessee’s Great Smoky Mountains had “running water, if you were willing to run and get it” — one of Parton’s many, oft-repeated “Dollyisms” that makes light of her hardscrabble upbringing.As a child — one of 12 — she had no exposure to movies or television, rarely even magazines, so her earliest ideas of glamour came from two seemingly disparate sources: the glittering kings and queens she heard described in fairytales and Bible verses, and from the “streetwalkers,” and “strumpets and trollops” she’d see when her family went into town. “I was impressed with what they called ‘the trash’ in my hometown,” she later mused. “I don’t know how trashy these women were, but they were said to be trashy because they had blond hair and wore nail polish and tight clothes. I thought they were beautiful.”...For all the musical legends we’ve lost in the past few years, it’s heartening to see this show pony get her victory lap while she’s still around to bask in the glory. Not that she’s planning on going anywhere. Whenever she’s asked how she’d like to be remembered 100 years from now, Parton trots out one of her best Dollyisms: “I want ’em to say, ‘God, don’t she look good for her age!’”..[In the WNYC podcast series "Dolly Parton's America,"] Abumrad narrates from his position as a relative outsider to what he calls the Dollyverse, presenting “Dolly Parton’s America” with the aesthetic language of the modern podcast: snippets of interviews, tonally appropriate background music, and the inviting, conversational voice of a man guiding you through his thought process as he travels down various rabbit holes of his own curiosity. Parton granted Abumrad quite a few sit-down interviews, and although seasoned Parton fans will find little of what she tells him to be new information, “Dolly Parton’s America” is a genial, compulsively listenable crash course in Parton’s lasting appeal...
Well, there's several reasons that we changed the name or a few reasons. Maybe I should say a couple of reasons. One being that out of ignorance, people do things you don't know. A lot of my things that I do wrong, just out of pure ignorance really, because you grow up a certain way and you don't know. The Dixie, we always thought way down in the land of Dixie, it's like a Dixieland or Dixieland music, Dixie. You know, I just thought of Dixie as a part of the, part of America. And it was offensive cause like I say out of ignorance, you don't know that you're hurting people, never thought about it being, about slavery or any of that. But when it was brought to our attention, and some woman wrote about it and I thought, well Lord have mercy, I would never want to hurt anybody for any reason. And being a business woman, we didn't really have that many people say anything about it.But I thought, Lord, if I've offended one person as a business woman, I don't want to do that. So we completely cleared all that out and started over that. But we, I just wanted to fix it cause I don't want to ever hurt or offend anyone. And so I did it as a good faith effort to show that it was never meant to cause anyone any pain.
JAD: Like, she tore right through all of that noise. Through the general election and beyond. And I kept bumping into people who would describe the experience of being at a Dolly show as, like, standing in an alternate vision of America than what was unfolding on the TV.JESSIE WILKERSON: I remember just standing out in the lobby and just people watching, because it was the most diverse place I’ve ever been. I was seeing a multi-racial audience. People wearing cowboy hats and boots. I was seeing people in drag. Church ladies. Lesbians holding hands. Little girls who were there with their families.WAYNE BLEDSOE: You had a whole audience of people who absolutely their philosophies were in opposition to each other co-mingling, and everybody is polite to each other.JAD: So that was one thing that caught my attention. That in this very divided moment, Dolly seems to maybe be a kind of unifier. And after doing a little poking around, the data does kind of bear this out. If you look at her global Q Score, this is a measure of how well people think about your brand, globally. What they do is they assemble a very diverse sample of people, they ask them a bunch of questions, and out of all of these different brands that are out there, all these different performers, she is in the top 10 globally in terms of everybody's favorites. But she's almost number one when it comes to lack of negatives, if that makes any sense.
“Oh, Dolly’s big in Iceland,” says Björk. “Her voice is immaculate, really powerful. Her character is so warm and human, and she has a great sense of humor.” To Björk, Parton transcends her musical genre. “All my friends love Dolly, and most of them are people who would never listen to country music,” she says.





















